Showing posts with label A.J. Heschel. Show all posts
Showing posts with label A.J. Heschel. Show all posts

04 June 2017

Of Prophets

I have always been drawn to the figure of the prophet. Not the fairy-tale type who mutters mysterious things and then says ‘now you must seek your own destiny!’ But the real-world ones as recorded in the Bible. These prophets are strange, controversial people wracked with passion and anger. Most of the time, people don’t like them very much. Sometimes they seem to have gone insane. God seems to use them rather roughly, as well.

My interest in the prophets had a lot to do with the fact that I’ve always found the book of Isaiah beautiful and compelling. I mostly thought of the book in terms of the words, but a while back I had a Rabbi-professor who gave us an assignment to write an essay about a section or a story in the Bible. Naturally I chose Isaiah: it’s poetic! It’s epic!

But I had to do the research into the historical period, the political situation under which Isaiah wrote, and the very nature of the prophets of ancient Judea. This necessitated my very happy introduction to the writings of Abraham Joshua Heschel whose book The Prophets is highly recommended.

This investigation into the nature, history, and calling of the prophets helped me to finally understand my own love for the biblical prophets. They are living and breathing bridges between God and man. They are caught in the middle. Berating the people with justice, passion, and wrath, pleading to God on their behalf with mercy, love, and hope. They have fire in their bones, and their lips are touched with coals. They are angry. They are heartbroken. They are half-mad. They are “some of the most disturbing people who ever lived,” said Heschel.

We always think of the person who stands in the middle and argues for both sides as a compromiser or an appeaser. Pick a side already, we say. But the prophets are the least compromising people on the planet. Jeremiah thought he would burn up from the inside if he didn’t say what God had given him to say. No room for compromise. Seemingly, the only one the prophets ever managed to please was God, though we get no insight on that score.

They will be threatened with death, called traitors and liars, they will be hated and even killed, all so they can speak the truth. For they have been yanked out of the crowd as with a hook, and have had God’s own words poured into them, and we can imagine that it truly is “a terrible thing to fall into the hands of the living God.”

The Translator:

If you’ll pardon the deeply personal perspective, one of the reasons the prophets strike me so is that they are, in one sense, translators. I cannot help but see this.

Sometimes a translator may find themselves interpreting between two antagonists. This is a very tricky situation. We would assume, at first, that the translator must remain neutral: they must not coerce the language to achieve their own preferred outcome, nor prefer one party over the other. But, really, they must be anything but neutral. They must be passionate, and accurate, and wholehearted in both directions. They must be invested in the ideal outcome for both sides.

Now, the prophet as translator is in a quite different situation in at least one regard, for he stands as intermediary between One who is utterly righteous, and a people unrighteous. The languages of either side, so to speak, are not on equal footing. This is a higher language—an ineffable language, really—being translated downward.

“But what appears to us as wild emotionalism must seem like restraint to [the prophet] who has to convey the emotion of the Almighty in the feeble language of man.”  -A.J. Heschel

Regardless, the prophet is still positioned as the intermediary and it is because he cares for both sides—belongs to both sides—that he is torn in spirit. He ultimately is God’s. He is also human. If Israel falls, so does he. If plagues, if famine, if ruin befall the people, they befall him too. If the people are sinful and of unclean lips, so is he. He is a citizen of both nations, heavenly and earthly. He is both conduit and recipient of what God has to say.

No small wonder that the prophet trembles and raves.

Divine Tension

Most of us have heard of the concept of divine tension before—the idea that something must be put in careful, taut balance. Not this, but not quite that either. Perhaps there are times where the phrase feels like an escape hatch out of a very sticky subject—like predestination vs. free will—but that is probably because in God all things are exactly as they should be, whereas we are wild pendulums, and seem always hurrying to extremes. We antagonize intellectualism in favor of emotionalism, then turn around and hold emotions in contempt so as to revere only intellect (God gave us both). We forget we have sins to forgive, and then forget that our sins are forgiven. We forget wrath to talk only of grace, then forget grace in order to indulge in wrath.

The prophet embodies our broad-scale pendulum swings in so concise a manner, it’s almost as if he’s trying to contain two seemingly opposing truths in his mouth at one time. And so he is. The words of the prophets roll up against us like waves, rising with anger, then crashing down with mercy, towering over with wrath, then relenting to forgiveness, heaving up with judgment, then rolling to the shore with love. Again, and again, and again.

Yes, it has a whiplash effect. Yes, it is confusing. But instead of dismissing one part for the other, perhaps we should consider that this is yet another instance of “the feeble language of man” being unable to contain God.

Perhaps the many instances of divine tension which we encounter in the scripture, in theology, are simply the best translations we can receive of God’s thoughts, and God’s ways, which are higher, and which are not ours.

Prefiguring Christ:

“He who loved his people, whose life was dedicated to saving his people, was regarded as an enemy” –A.J. Heschel, speaking on the prophets.

Make no mistake, the prophets suffered. In varying ways and degrees, but in New Testament retrospect, persecution was considered one of the major characteristics of a prophet. And for what does the prophet suffer? Telling the truth. Telling people what they don’t want to hear. Speaking of hypocrisy, sin, and punishment—yet also hope and renewal and rising from the ashes.

A prophet is often telling a truth that is unpopular, against the prevailing winds of the time. Everyone—King and country—wants to go one way, but the prophet is pointing in another. Perhaps the prophet suffers because of the specific, physically miserable way in which he must convey the truth (Ezekiel). Perhaps the prophet must go somewhere he does not want to go (Jonah). Perhaps the prophet is called to love one who has been adulterous (Hosea).

Whether it is the powers that be, the broad culture, or the religious hypocrisy of the time, the prophet has to set himself against the flow, and he often gets thrashed about as a result.

Thus Jesus. He pleased neither the secular nor the religious powers of his day. He spoke of sin and wrath, but also of love and mercy. His words stirred tremendous passion, hope, anger, and violence. The zealots wanted a battle king, and got a sacrificial lamb. The religious leaders wanted compliance and to keep the social hierarchy in place, and they got the Messiah who was to change everything, and humble proud souls. The powers that be just wanted this to be a Jewish issue taken care of by Jews, but it became a phenomenon that spread throughout the Roman world, and then the whole world long after Rome fell.

And He suffered. Contempt, mockery, torture, then death. He told the truth—of who He was, and what he had come to do—and He was that which all the prophets prefigured, both in their actual words, but also in their very experiences.

I confess that this is the aspect of the prophets I understand the least, because Jesus Himself is so hard for me to understand. I understand with my mind, but struggle to truly grasp the nature of His sacrifice. I want to remain in the realm of the imaginary heroics where one feels hard-pressed, but prevails with a few minor bruises. Far less can I imagine or reconcile myself with something that would cause the Son of God Himself to sweat blood and quote David’s most frightening lines, Eloi, Eloi Lama Sabachtani.

As the prophets are sometimes brightly illumined, and other times painfully inscrutable to our souls, so Jesus. The prophets speak for God and Man. Jesus is God and Man. I will not pretend to understand this, but the parallels are present without question. It is as blazingly clear as when a form of poetry repeats itself, in rhyme and meter, building on itself, reaching a crescendo that now resonates with, but is so much more than, its first use of the form.

He is the second Adam, and all the prophets fulfilled.

Messengers:

This is probably the most straightforward and obvious fact about the prophets. They are the couriers of a divine message. They didn’t create it, they may not even like what they are bound to say, and it certainly isn’t for their own personal benefit, but it is their duty. I can’t help but picture the runner-couriers in WWI, as in the tragic battle of Gallipoli, who sprint to pass battle commands, to keep the troops from running straight into their deaths. They may be in terrible danger, they also may die under fire, but above all else they must get the message through. Even if no one listens, they must get it through.

Often the Prophets’ message is distilled simply to that: stop what you are about to do or you are going to die. Death (or enslavement) of either body, soul, nation, or future generations, but here is the word of warning if you will heed it. Turn back. The battle will fall to the enemy if you keep on as you are going. It may already be to late. Turn back.

Divine Discontent:

I do not get the impression that there was a great deal of satisfaction in the lives of the prophets. Trust and faith and hope, yes, but they seem to all have been inflicted with a divine frustration. Let this not be confused with the sort of discontent we experience in our fleshly selves, when we do not get to do what we want, or things aren’t going our way. This is something different.

“The essence of blasphemy is confusion and in the eyes of the prophet, confusion is raging in the world.” –A.J. Heschel

This is the prophet seeing the muddy water for what it is.

This is looking at the world and aching for all that has gone wrong in it. This is feeling it like a knife in the gut when someone takes a step that, to them, is of no consequence, but the prophet can see where it will lead. This is sensing the roiling misery under the pleasant veneer of the people or the culture. How can the prophet withdraw to his own affairs when all these things sting his lungs like a poison?

And will he get to see the fruit of his labors, the wheat that grows from the words he has sown? Probably not. Some things he may see come to pass, some morsels to feed his faith, but that is far from guaranteed. For “prophecy is never complete in itself; it is a burden, a tension, a call, the waging of a battle, never a victory, never a consummation.” (Heschel)

He cannot, like a monk, withdraw to be prayerful and meditative. That is a noble office, and some are called to it. But not the prophet. He has been tuned to a frequency in which he will hear all the terrible discordance around him. God has opened his eyes and ears, and it is not often a pretty sight.

So, then, what are the prophets to us? Certainly their words are not dead, but is their office? I do not think so, but I also do not know how to judge the matter. We speak a great deal these days of having prophetic natures, or prophetic personalities. We speak of it in terms of spiritual gifting, as is mentioned in the New Testament. Not that this label is wrongly applied, but I do believe we would do well to consider the concept of the prophet, or the nature of a prophet with wisdom and humility.

It would be very presumptuous of us to slide our feet into the shoes of the prophets—to take on that mantle when it must be one divinely bestowed. So I myself must be terribly wary of thinking “because I am passionate, it must be the passion a prophet,” or “my uncompromising nature is probably because I am in nature very like the prophets.” We must be especially careful not to put too much stock into our own words. I say all this more to myself than anyone else.

That remembered, let us play that dangerous game for one moment. You are as a prophet of God. Or I am.

What would that really mean? Certainly not praise and accolades, except perhaps after we are dead, and will neither know nor care about it. It would almost certainly mean:

-Being ignored.

-Aching in compassion for those very people who ignore you, mock you, call for your blood

-Weighted down by those infinitesimal fragments of God’s own compassion, justice, mercy and wrath he sees fit to show you, and finding that weight almost impossible to bear.

-Speaking truth to a beloved authority

-Speaking truth to a despised authority

-to the church

-to those who have abandoned the church

-Telling people that the impossible is possible

-Feeling like all your words are wasted

-Watching the world crash down around your ears

-Being a vessel, not a hero (poor Ezekiel)

-Enduring hunger, humiliation, discomfort, refuse, shame

-Knowing that the very people your rail against, and all their sin, are part of you and you are part of them. Your rail against your very self. You are never above that which you condemn. When God says, “speak this to the people” you—and I—are one of the people.

-Knowing that our own fallenness is one of the apertures through which we must look if we are to have good aim when sighting in on sin outside of ourselves.


So we might be cautious in comparing ourselves to the prophets merely because we experience passion, and we desire to speak, but—whatever else—we must emulate them in their fierce love for both God and man, in how ruthlessly they lash themselves to the truth in spite of all consequences, in how unabashedly they communicate both the wrath and love, the justice and compassion, of God.

If I have any love in me, it came from God. And from him it is infinitely truer, deeper and more pure than mine.

If, in my paltry love or sense of empathy for a perfect stranger, I feel as though I could enter a fight to the death to save someone…how much more so God. He sent many messengers to wake us, and some died in pursuit of their task. And then He sent His Son to die in the pursuit of His.


Only this time, that was not the end.

24 February 2012

The Sirens Come


I often have the experience of finding that the world is, in fact, flooded with things of which I only recently became aware. Of course they were there all along, but I simply didn’t notice them until some incident or another brought them to my attention. I think this is a fairly common experience; you don’t notice a certain make of car until you’ve been researching it, then suddenly you see it everywhere. You become apprised of a TV show or band, and suddenly avid fans and frequent references appear, as if by summons, to greet you. Or, as in the case that follows, you don’t know how pervasive a certain theme is in art and literature until you really truly begin to get it.

I have known of the siren story long before I became aware of it. Like many, I was made to read "The Odyssey" in high school. I did not particularly like it. I don’t think it was a very good translation. But that is beside the point. It is the best known origin of the siren story. Herein we have this idea that a beautiful enchanting song will lure passing sailors to their death, and the only means to avoid it is to either stop up your ears (as Odysseus’ sailors were instructed to do) or physically tie oneself up so that you could hear the enchanting song, but not be doomed by it (as Odysseus did himself). It is of interesting note that, in many languages, the word for mermaid is some variation on the word siren; they are dangerous, beautiful things that live in the abyss and mean to bring you into it.

But as I said, Homer and Odysseus did not enlighten me much on this score. It was only recently that I suddenly began to be lambasted by this siren metaphor from myriad angles and the strength of the thing hit me between the eyes. The use of the metaphor tends towards the following instruction:

“Do what you can to fix yourself to the right course now, so that when trials and deceits come, and you no longer want to stay the course, you still will”

Singer Laura Marling pitched the metaphor in terms of love and commitment:

“The sirens come…they always will.
But the dart between my heart and his
Is as good as a diamond chain”





People love to portray a version of the “stay-the-course” attitude in films; how many romantic comedies have a running-through-the-airport-to-try-and-stop-the-beloved-before-the-plane-takes-off scene? Many, many. The idea of overcoming a lot of obstacles on behalf of love is, of course, appealing. And right. But the romantic films often fall short of the real meat of the siren metaphor. The sirens are not challenges so much as they are distractions. Lures. They cannot be barreled through, or leapt over. They have to be denied. Ignored. And, according to legend, this is impossible to do if you allow yourself to hear them without something more than your own will to restrain you because:

“The devil has a pretty voice
If you listen, you’re the fool that I became”

Another use of the metaphor—more closely tied to the original—is that of returning to where you ought to be. You’re going home, in every possible good sense of the word. Like Odysseus, back to his wife and son after years of hardship:

“I’m sailing home to you
I won’t be long
By the light of the moon
I will press on
Until I find my love

…Sirens call my name, they say they’ll ease my pain
And break me on the stones
But true love is the burden
That will carry me back home
Carry me with the memories of a
Beauty I have known

…So tie me to the mast of this old ship
And point me home”

-Josh Garrels





That song is, in fact, called Ulysses (another name of Odysseus) and the album from which it is drawn is very aptly named “Love & War & the Sea In Between.” The thing I love about this usage is the emphasis on what drives him home: true love and “memories of a beauty I have known.” That line implies that he is being driven, not by how he feels now, but by what he knew for sure then. There is a beauty he had known, and no mimicry or shadow along the way should supplant it, even though the mimcries can perhaps be seen or felt…whereas the beauty he knew is still a long way off and vaguely remembered.

Our culture constantly tells us to ‘live in the moment’ and insofar as that connotes the ability to be content wherever you are and appreciate the present, I applaud the notion, as it is not an easy thing to do. But what it should not mean, and very often does, is ‘do what you feel when you feel it’; it implies a readiness to give up a belief or a love the moment it seems to be out of reach, out of vogue, or in some way difficult to reconcile. Love is a commitment. Faith is a commitment. Sometimes feelings precede, sometimes they recede, and sometimes they follow a long way in the wake of decision. As the band Mumford & Sons put it in another song, you must:

“…Hold on to what you believed, in the light
When the darkness has robbed you of all your sight”

These lyrics are sung in the context of someone who is terrified to make that initial commitment:

“I ran away, I could not take the burden of both me and you…
It was too fast, casting love on me as if it was a spell I could not break
When it was a promise I could not make.
But what if I was wrong?
Oh, hold on to what you believed, in the light
When the darkness has robbed you of all your sight”
                                                                                                         
The singer realizes that it was fear that kept him from making the promise. He admonishes the hearer not to give up what they knew when their eyes were clear...when they chose to make the promise. The point of a promise is that you’re not to escape from it. It is like ropes, lashing you to your word even when you no longer want anything to do with it. It is swearing to your own hurt now, for the joy of truth and purpose in the long run:

“So tie me to a post and block my ears
I can see widows and orphans through my tears
I know my call despite my faults and despite my growing fears
…So make your siren’s call
And sing all you want
I will not hear what you have to say
‘Cause I need freedom now
And I need to know how
To live my life as it’s meant to be”





This example is much more about purpose and duty, whereas the others were about love and return. I cannot say for certain what the lyricists intended, but I get the sense that the sirens in this song are not what you might think. Is the singer saying that sometimes the distractions from purpose might even be causes that are socially and morally laudable (speaking of the widows and orphans)? Or is he saying that the ‘widows and orphans’ are his call? I suppose it could be either.

There are many just causes in this world, but that doesn’t mean that people don’t often take them up for very wrong reasons. Sometimes the sirens are our desire to appear right, rather than to be right—to be viewed as just rather than to be just—to be commended rather than to be commendable "before the eyes of him to whom we must give account." (Hebrews 4:13) The point is that the singer “knows his call” and he will not be distracted from it by any manner of siren. And notice how he sings “'Cause I need freedom now”...and the way in which he manages to gain that freedom is to give it up, by being tied to the post. Very counter to the logic of the age, I’d say.

So, the sirens come. In all forms, both as obvious and less obvious temptations to destruction, and seemingly benign distractions from a once-known purpose. If God is the ship, and faith is the mast, best batten down, because the seas are rough.

Lastly (and this one not from a song):

“God’s relationship to Israel is most commonly described as a covenant. The word “covenant” conveys permanence, steadfastness, and mutuality rather than the personal depth of that relationship. Is the covenant a tether, a chain, or is it a living intercourse?

In the domain of imagination the most powerful reality is love between man and woman. Man is even in love with an image of that love, but it is the image of a love spiced with temptation rather than a love phrased in service and depth-understanding; a love that happens rather than a love that continues; the image of tension rather than of peace; the image of a moment rather than of permanence; the image of fire rather than of light. But God said “Let there be light.””
-Abraham Joshua Heschel

I would add but one thing to Heschel’s unintended summary of the difference between a siren and the Truth (obviously he said nothing of sirens): God is also described as a consuming fire. Fire and light. Passion and permanence. The point is that the covenant comes first and sets the course.